Introduction to Audacity
Version 20040511B

by
Barry G. Wong
World Wide Web: https://mythanks.tripod.com/
All of the textual content and graphical content
in this document are by Barry G. Wong,
except where otherwise specified.
Copyright 2004 by Barry G. Wong. All rights reserved.

Table of Contents

I. Sound

A. Compression

B. Tuning fork

1. Oscillating amounts of compression

2. Graph: Sound wave

C. Superposition

1. Addition – in-phase

2. Addition – 2 different frequencies

3. Addition – 3 different amplitudes, frequencies, and phases

II. Capture and digitization of sound

A. Analog

B. Digital

1. Binary

C. Analog to Digital Conversion (ADC)

D. Sampling

1. Earplugging analogy

2. Glimpses per second

III. Downloading

A. Apply appropriate security procedures

1. Antivirus software

2. Personal firewall software

B. Download methods

1. Small files

a. Browsers

(1) Microsoft Internet Explorer

2. Large files

a. Download manager software

(1) GetRight

IV. Compression (and decompression) software

A. Compression software for Microsoft Windows (“Windows”)

1. Enzip

V. Audacity

A. Audacity World Wide Web site

1. Audacity

2. HowToMakeRadio

a. HowToMakeRadio

b. MyThanks

c. Search engines

B. Open source software

1. Source code

2. Executable code

3. Open Source or Closed Source

C. Downloading

1. Microsoft Windows (“Windows”) version

a. Software

(1) Audacity

(2) VST Enabler

(3) MP3 Encoder

(a) Licensing

b. Documentation

(1) Manual

D. Installation

1. Windows version

a. Software

(1) Audacity

b. Documentation

(1) Manual

E. Initial setup

1. Preferences

a. Safety (in case of deletion of original source audio)

(1) File > Preferences... > File Formats > When importing uncompressed audio files into Audacity > Make a copy of the file before editing (safer)

b. Audio hardware

(1) File > Preferences... > Audio I/O > Playback > Device: > {Pull-down menu}

(2) File > Preferences... > Audio I/O > Recording > Device: > {Pull-down menu}

c. Channels of audio

(1) File > Preferences... > Audio I/O > Recording > Channels: > {Pull-down menu}

(a) 1 (Mono)

(b) 2 (Stereo)

d. Slower computer systems

(1) File > Preferences... > Quality > Default Sample Rate > 44100 Hz

(2) File > Preferences... > Quality > Default Sample Format > 16-bit

e. Fast, not-full hard drive (for temporary storage by Audacity)

(1) File > Preferences... > Directories >Choose...

f. Exit from Audacity

g. Restart of operating system / computer system

F. New project in Audacity

1. Windows

G. Recording

1. Line in

H. Cutting and Pasting

I. Export for external playback

J. Exit from Audacity

VI. Terms

I. Sound

A. Compression

Think of a balloon inflated with air molecules.

Uncompressed

A balloon contains uncompressed air.  The molecules have some room to move.

Compressed

A piston pushes down on the balloon in a cylinder.  The air molecules in the balloon are pressed against each other.

Rarefied
(Stretch the balloon)

Three hands pull and stretch the balloon containing air.  The air molecules might tend to spread out to fill the larger space in the balloon.



B. Tuning fork

1. Oscillating amounts of compression

The tine of a tuning fork is tapped against the edge of a table.

The tuning fork's tine starts vibrating, moving to the left.

The tuning fork's tine rebounds, moving to the right, and compressing the nearby air.

The tuning fork's vibrating tine moves to the left again, leaving a lower-air-pressure region (or rarefaction) behind the compressed air.

The tuning fork's tine moves to the right again, making a second compression of air.


2. Graph: Sound wave

Continuously alternative compression and rarefaction of air can be represented in a graph.  One example is a sinusoidally varying waveform.

C. Superposition

1. Addition – in-phase

When two sound waves that are in phase with each other are added together, the resulting sound wave is in phase and very strong at the peaks.


2. Addition – 2 different frequencies

Adding two waves with different frequencies results in a wave that does not look like a plain sine wave anymore.


3. Addition – 3 different amplitudes, frequencies, and phases

The addition of 3 pure-tone (sine-shaped) sound waves with different amplitudes, frequencies, and phases results in a complex waveform that does not resemble a sine wave at all.


II. Capture and digitization of sound

A. Analog

Signals are continuous.

B. Digital

Digital electronic computers use numeric digits to represent information.

1. Binary

C. Analog to Digital Conversion (ADC)

D. Sampling

1. Earplugging analogy

2. Glimpses per second

Look at the same sound waveform viewed at low and high sampling frequencies.

Low sampling frequency

Sampling with a  low sampling frequency results in relatively few samples, forming a sparse, almost unrecognizable pattern.

High sampling frequency

Sampling with a high sampling frequency results in a pattern that somewhat resembles the waveform being sampled.

Waveform being sampled

The waveform being sampled is a continuous signal.

III. Downloading

A. Apply appropriate security procedures

1. Antivirus software

2. Personal firewall software

B. Download methods

1. Small files

a. Browsers

(1) Microsoft Internet Explorer
  1. Right-click the hypertext link for the file to be downloaded.

  2. Click on Save Target As....

  3. Follow the instructions to save (download) the file to (for example) the Windows Desktop.

2. Large files

a. Download manager software

(1) GetRight
  1. Go to http://www.getright.com/ .

  2. Download and install GetRight software.

  3. Follow appropriate instructions for use of that software.

IV. Compression (and decompression) software

A. Compression software for Microsoft Windows (“Windows”)

1. Enzip

V. Audacity

A. Audacity World Wide Web site

1. Audacity

2. HowToMakeRadio

a. HowToMakeRadio

http://mythanks.tripod.com/howtomakeradio/ > The HowToMakeRadio Guide > Audacity

b. MyThanks

http://mythanks.tripod.com/ > HowToMakeRadio> The HowToMakeRadio Guide > Audacity

c. Search engines

  1. Search for
    HowToMakeRadio

  2. At the HowToMakeRadio Web site, follow the link titled
    The HowToMakeRadio Guide

  3. Follow the link titled
    Audacity

B. Open source software

1. Source code

2. Executable code

3. Open Source or Closed Source

C. Downloading

1. Microsoft Windows (“Windows”) version

a. Software

(1) Audacity
(2) VST Enabler
(3) MP3 Encoder
(a) Licensing

b. Documentation

(1) Manual

D. Installation

1. Windows version

a. Software

(1) Audacity
  1. Exit other programs.

  2. Double-click on the audacity-win-1.2.1.exe icon.

  3. Follow the directions displayed.

b. Documentation

(1) Manual
  1. Download audacity-manual-1.2.zip (for example, to the Windows Desktop).

  2. Make a new folder (for example, in the My Documents folder), and rename the new folder:
    AudacityManual

  3. Double-click on the icon for audacity-manual-1.2.zip.

  4. Using EnZip (or other .zip management software), extract all the files from audacity-manual-1.2.zip into the new folder which you had named AudacityManual.

  5. Double-click on the AudacityManual folder icon.

  6. Double-click on the audacity-manual-1.2 folder icon.

  7. Double click on the index.html file icon.

E. Initial setup

1. Preferences

a. Safety (in case of deletion of original source audio)

(1) File > Preferences... > File Formats > When importing uncompressed audio files into Audacity > Make a copy of the file before editing (safer)

b. Audio hardware

(1) File > Preferences... > Audio I/O > Playback > Device: > {Pull-down menu}
(2) File > Preferences... > Audio I/O > Recording > Device: > {Pull-down menu}

c. Channels of audio

(1) File > Preferences... > Audio I/O > Recording > Channels: > {Pull-down menu}
(a) 1 (Mono)
(b) 2 (Stereo)

d. Slower computer systems

(1) File > Preferences... > Quality > Default Sample Rate > 44100 Hz
(2) File > Preferences... > Quality > Default Sample Format > 16-bit

e. Fast, not-full hard drive (for temporary storage by Audacity)

(1) File > Preferences... > Directories >Choose...

f. Exit from Audacity

g. Restart of operating system / computer system

F. New project in Audacity

1. Windows

  1. Launch Audacity (Double-click the Audacity icon, for example).

  2. Click File > Save Project As...

  3. Browse to an appropriate location.

  4. Type a file name (without the file extension).

  5. Click Save.

G. Recording

1. Line in

  1. Use the proper cable(s) (and, if necessary, adapters) to connect your line-level sound-source (for example, the Monitor jack or Line Out jack of an audio-cassette player) to the Line In jack of the sound card in the computer system with Audacity.

A cable (and adapters) connects from the Monitor jack (or the Line Out jack) of an Audio-cassette player (or other line-level source) to the light-blue jack labeled Line In on the Sound card, which is seen as one of the silver-color strips at the back of the computer tower or box.  The Line In symbol on the Sound card is an arrow pointing upwards to the centre of a series of arcs.


  1. Start playback of the sounds (for example, press the Play button on the audio-cassette player).

  2. Shortly before you hear the first sound to be recorded, click on the Record button [the button with the red dot () in the Control Toolbar] in Audacity.

  3. Click and drag the Input Volume slider (the slider is to the right of the picture of the microphone in the Mixer Toolbar) to get a strong (but not too strong) signal.

  4. After you hear the last sound to be recorded, click on the Stop button [the button with the yellow-orange square () in the Control Toolbar] in Audacity.

  5. In the Menu bar, click File > Save Project.

H. Cutting and Pasting

  1. To prepare to play the recording from the beginning, click on the Skip to Start button [the button with the leftward-pointing magenta double triangle (│◄◄)].

  2. Click on the Play button [the button with the rightward-pointing green triangle ()].

  3. Click and drag the Output Volume slider (the slider is to the right of the picture of the loudspeaker in the Mixer Toolbar) to get an appropriate (for example, listening) level.

  4. Listen and watch the timeline-pointer (vertical line) move across the waveform (wavy line that stretches horizontally) representing the sound that you recorded. Find an excerpt that you want to move.

  5. If you wish, click on the

  1. When you hear the beginning of an excerpt to be moved, click on the Pause button [the button with the blue double vertical bars ()].

  2. Click and drag horizontally along the waveform from the beginning of the excerpt to the end of the excerpt.

  3. Click on the Stop button [the button with the yellow-orange square () in the Control Toolbar] in Audacity.

  4. In the Edit Toolbar, click on the Scissors picture or
    in the Menu bar, click Edit > Cut.

  5. Click at the location where you want to put the excerpt.

  6. In the Edit Toolbar, click on the Clipboard picture or
    in the Menu bar, click Edit > Paste.

  7. In the Menu bar, click File > Save Project.

I. Export for external playback

  1. When you are ready to publish your edited audio, (in the Menu bar) click File.

  2. Then

  1. Browse to an appropriate location.

  2. Type a file name (without the file extension).

  3. Click Save.

  4. In the Menu bar, click File > Save Project.

J. Exit from Audacity

VI. Terms

Product, brand, and trade names in this and future communications may be trademarks or registered trademarks of their respective owners. Barry G. Wong and the Equinet Broadcasting Network shall not be liable for any errors, omissions, or lack of appropriateness, timeliness, or accuracy in, for your use of or your inability to use, or for any other aspect or matter relating to this or related communications.

At the time of writing, Barry G. Wong and the Equinet Broadcasting Network do not purport to represent any parties mentioned in this communication other than Barry G. Wong and the Equinet Broadcasting Network.